A6 portrait canvas divided into rectangles of different sizes. Each rectangle is filled with wiggly lines in three colours (cyan, magenta and yellow), with a different angle and spacing per rectangle. New colours emerge because of the blend between the three colour components. A6 portrait canvas divided into rectangles of different sizes. Each rectangle is filled with wiggly lines in three colours (cyan, magenta and yellow), with a different angle and spacing per rectangle. New colours emerge because of the blend between the three colour components. A6 portrait canvas divided into rectangles of different sizes. Each rectangle is filled with wiggly lines in three colours (cyan, magenta and yellow), with a different angle and spacing per rectangle. New colours emerge because of the blend between the three colour components. A6 portrait canvas divided into rectangles of different sizes. Each rectangle is filled with wiggly lines in three colours (cyan, magenta and yellow), with a different angle and spacing per rectangle. New colours emerge because of the blend between the three colour components. A6 portrait canvas divided into rectangles of different sizes. Each rectangle is filled with wiggly lines in three colours (cyan, magenta and yellow), with a different angle and spacing per rectangle. New colours emerge because of the blend between the three colour components. A6 portrait canvas divided into rectangles of different sizes. Each rectangle is filled with wiggly lines in three colours (cyan, magenta and yellow), with a different angle and spacing per rectangle. New colours emerge because of the blend between the three colour components.
A6 portrait canvas divided into rectangles of different sizes. Each rectangle is filled with wiggly lines in three colours (cyan, magenta and yellow), with a different angle and spacing per rectangle. New colours emerge because of the blend between the three colour components. A6 portrait canvas divided into rectangles of different sizes. Each rectangle is filled with wiggly lines in three colours (cyan, magenta and yellow), with a different angle and spacing per rectangle. New colours emerge because of the blend between the three colour components. A6 portrait canvas divided into rectangles of different sizes. Each rectangle is filled with wiggly lines in three colours (cyan, magenta and yellow), with a different angle and spacing per rectangle. New colours emerge because of the blend between the three colour components. A6 portrait canvas divided into rectangles of different sizes. Each rectangle is filled with wiggly lines in three colours (cyan, magenta and yellow), with a different angle and spacing per rectangle. New colours emerge because of the blend between the three colour components. A6 portrait canvas divided into rectangles of different sizes. Each rectangle is filled with wiggly lines in three colours (cyan, magenta and yellow), with a different angle and spacing per rectangle. New colours emerge because of the blend between the three colour components. A6 portrait canvas divided into rectangles of different sizes. Each rectangle is filled with wiggly lines in three colours (cyan, magenta and yellow), with a different angle and spacing per rectangle. New colours emerge because of the blend between the three colour components.

Further experimentation with quadtrees. It's interesting to see the emergence of flow fields when the rectangles get very small.

Colours used here are just CMY, but one or two colour components are randomly diluted fifty per cent to get more variation.

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