Day 31 of #genuary2025: “Pixel sorting.”
The only time this #genuary that I'm using bitmap data. Portraits of me (by Mick Michel) projected in 3D, and the individual pixels sorted on the z-axis according to their perceived luminance.
Thanks Piter Pasma and everyone involved for organising Genuary!
Day 21 of #genuary2025: “Create a collision detection system (no libraries allowed).”
This is one I overlooked. Sheets falling on top of other sheets and the occasional ball.
#genuary
Day 23 of #genuary2025: “Inspired by brutalism.”
#genuary
Day 24 of #genuary2025: “Geometric art - pick either a circle, rectangle, or triangle and use only that geometric shape.”
Catching up on the days I didn't have the time to make an entry. Here are circles, circles, and, again, more circles.
#genuary
Day 30 of #genuary2025: “Abstract map.”
#genuary
Day 29 of #genuary2025: “Grid-based graphic design.”
#genuary
Day 28 of #genuary2025: “Infinite Scroll.”
An infinite scroll through the Y-axis of a stretched Perlin noise field.
This was tough since my library isn't very good at animating stuff. It's focused on calculating geometries for SVG (penplotters) and Gcode (3D printing).
#genuary
Day 26 of #genuary2025: “Symmetry.”
Fill vs Void.
#genuary
Day 25 of #genuary2025: “One line that may or may not intersect itself.”
One long line, waving in the wind.
#genuary
Day 22 of #genuary2025: “Gradients only.”
Two, three and four-sided gradients between shades and neighbours on an OKHSL colour wheel.
#genuary
Day 20 of #genuary2025: “Generative Architecture.”
Stereotypical orthographically-projected houses.
#genuary
Day 19 of #genuary2025: “Op Art.”
Phantom Figures.
#genuary
Day 17 of #genuary2025: “What happens if pi=4?”
Running my sketch for Day 5 with PI=4. The hex grid creates an overflow, the poison disk distribution is slightly off, and the OKHSL to hex conversion results in a different colour scheme.
#genuary
Day 18 of #genuary2025: “What does wind look like?”
Analysing wind.
#genuary
Day 16 of #genuary2025: “Generative palette.”
I've never had to think about generating pleasing colour palettes consistently, so my first attempts were epic failures. But this one is pretty great I think. Almost no eye sores.
#genuary
Day 15 of #genuary2025: “Design a rug.”
Had a lot of fun with this one. Building further on moiré patterns.
#genuary
Day 14 of #genuary2025: “Pure black and white. No gray.”
A study of moiré satin using 19521 black lines. NO GREY!!!
#genuary
Day 13 of #genuary2025: “Triangles and nothing else.”
Playful triangles.
#genuary
Day 12 of #genuary2025: “Subdivision.”
#genuary #svg
Day 11 of #genuary2025: “Impossible day - Try to do something that feels impossible for you to do. Maybe it is impossible. Maybe it’s too ambitious. Maybe it’s something you know nothing about how to accomplish.”
3D printing with clay is surprisingly idiosyncratic. Generating custom—and possibly non-planar—#gcode for it always seemed like the dream. It has become a reality, and now I can generate Gcode using my 2D #svg drawing toolkit.
This is a stylized preview render with depth of field of a Gcode toolpath. It's a series of 2D shapes evaluated in 3D space, projected in a 3D isometric space, and rendered in 2D svg.